Fashion

Hipsters, Yuccies and the Black Urban Creative

“The black urban creative is excluded from the Yuccie culture by definition. A hipster or Yuccie that lives in an urban neighborhood lives there because of gentrification. A black urban creative lives in the hood by circumstance. Yuccies have the choice of Whole Foods, Trader Joe’s and the seasonal farmers’ markets. The black urban creative has the choices of a supermarket full of sugary and processed meats, fruits and vegetables.”

Blought #19: Is Cultural Appropriation a Real Problem?

Is denying a white person the freedom to embrace
cultures outside of their own racists or justifiable?
This is probably as best a time to be African American as it’s ever been. The nation’s first black president is finishing up his second term, our music continues to dominate the airways and American pop culture and racists attitudes and remarks are finally becoming taboo in our society. As a black male in my early 20’s it’s great to know that I live in a country that is becoming more socially liberal and accepting of all types of cultures.

I do however find it counterproductive to our own cause as a race and culture to blast anything not black that would like to take part in our culture. I know cultural appropriation exists but is it always negative when a white girl wants to wear cornrows? How can hair braiding be cultural appropriation when cultures in Europe and Asia had their own braiding styles that most black hair textures can‘t achieve. The modern cornrow wasn’t worn until c. 1970. I know this question is becoming old but are you black women not appropriating white culture when you dye your hair blonde?


Would you shun an  African American
who dressed and behaved like this? 
You can’t say them wearing our fashion is cultural appropriation. The Hip-Hop era took white owned brands like Adidas, Nike, Levi and Kangol and made them a part of our culture. Adidas was founded in Germany and even made boots for German soldiers during WWII. Nike was created by Phil Knight from Oregon in the 1970’s for track and field athletes. Levi’s was invented by German immigrant Levi Strauss during the California Gold Rush in the mid 1800’s and Kangol was created by a Polish dude in the late 1930’s.

So I guess you’ll say the music is being appropriated by Macklemore and Iggy Azalea. I call complete bullshit. One of Hip-Hop’s most revered pioneers are the Beastie Boys. Three white Jewish kids from Brooklyn who loved listening to the Funk music of the 70’s like Parliament Funkadelic and Bootsy Collins. They were essentially the first rap group by today’s standards. Who says a white kid can’t enjoy Hip-Hop as much as a black kid? It’s hard to call anything music wise cultural appropriation when it was whites, mostly Jewish who are responsible for putting Hip-Hop in the mainstream. It’s like slavery and abolitionists. Without white abolitionists there would have been no abolishment of slavery. In theory, without rich Jewish Investors there would be no Hip-Hop.

Not even the same hairstyle bro...
I can understand the cause for alarm. The line between Cultural Appropriation and Appreciation is a very thin one. Writer and Illustrator Mojuicy from Queens, New York explored the difference in his 2014 piece titled “Appropriation vs. Appreciation”. He described Lady Gaga’s wearing of a Burqa as a “sexual” and non-Political play that “position Middle Eastern cultures as a second class, exotic cultures worth dominating.” I’m not Arab so I won’t speak on his sentiments, but I can speak on mine.

I believe the idea of our claims of Cultural Appropriation comes from the belief that African Americans have nothing else to offer besides our music and fashion. To me that speaks poorly of us as a race and culture. We place emphasis on things that don’t reflect positively on us as a race. I will be the first to admit that I sag my pants, listen to vulgar rap music and I curse more than the congregation shouts “Amen” on Sunday.

Some argue that Appropriation is an extension of Slavery. I’d like to refute that by saying it could be an extension of Jim Crow. In my eyes we, meaning African Americans are keeping Jim Crow alive ourselves. The idea of hatred fueled racism. That same hatred has trickled down into the black psyche causing us to hate the white man in turn making our main objective to reject the white man in the same manner he has done us for centuries.

To me Cultural Appropriation is another device for us to pigeonhole our objectives and movements as a race. If we can move on from what we shun other cultures in appreciating, then we can spend more time on fixing real problems facing our community versus focusing on ones that offer no threat to our culture or race.

Sources:
http://interruptmag.com/article/appropriation-vs-appreciation

http://www.lovelyish.com/2013/04/15/the-beautiful-and-amazing-history-of-braids/

http://www.feminish.com/wp-content/uploads/2012/08/culturalappropriationread.pdf

The Strange Career of Jim Crow by C. Van Woodward

'Ingenuity Born out of Necessity: The Soul of Sole Snatchers' by Brendan Whitt (Courtesy of Volume Magazine Cleveland)

So you’re in your early twenties and the economy is not as generous as it was to your parents and grandparents. Union jobs aren’t booming like they once were and minimum wage is a joke. Now you have to dream. You want the house, car, money, vacations, all of it. Then you want more. You want something real. Something that can get you that dream. So you grind, a hustle that you will grow and cultivate until it bears you the fruit that you so badly wanted when it was just a dream. Now enter Daniel Butler, a young man with a dream and hustle to match. Daniel is the owner and creator of Sole Snatchers, a business that was born out of his love for sneakers and the culture that surrounds them. “My goal is to see as many people in the shirts as possible” he says. Daniel created his own line of t shirts based on his business that didn’t take off as planned. So he put it on hold and waited for the right moment. Sole snatchers was supposed to be a shoe consignment and trade marketplace for sneaker collectors, buyers and sellers.
Daniel had a plan and a product but not enough funds. He had a beta for the site but saw there was still a long road ahead of him. He soon did what all dreamers did, got his hustle together. “I had a logo someone designed for the site and thought ‘That’s a catchy design. I should put that on a shirt.’”...https://volumemagcle.wordpress.com/2014/05/24/ingenuity-born-out-of-necessity-the-soul-of-sole-snatchers/

Blought #2 'Mike and Us 90's Babies'

In recognition of His Airness’ upcoming 50th birthday, I've decided to share my thoughts on his impact of American culture in the eyes of a 90’s baby (I’m old enough to be nostalgic now).Other than  Kobe and Lebron most of us 90’s kids don’t have much memory of any other player who has dominated the game of basketball. I could bring up Shaq or Dirk but Kobe and Lebron are the only players comparable to MJ. By the time we could begin recollecting any memories of Mike he was past his prime and glory days. He was drafted in ’84, won his first ring a month before I was born, and  retired when I was about six. When you look at Lebron, the guy who has dominated the NBA since I was about twelve, idolized Mike. The guy who most kids looked up to in my generation, idolized the greatest ever. Talk about leaving your mark on the game.

MJ’s legacy isn’t exclusive to the court, but American culture period. One of my favorite movies ever starred Mike himself. In Space Jam, the world’s greatest basketball player was playing alongside Warner Bros. cartoon elite. Mike didn't put on an Oscar winning performance or anything, but watching that movie at five years old was better than an All Star game. The movie was so huge, it even garnered it’s own shoe, the “Space Jam 11’s”

It doesn't matter how much basketball you watch, how many times you’ve seen  Space Jam, or even if you don’t care about the man, the largest impact Jordan has left may be his shoes. His shoe brand has had 28 official player models and a few other models including the Phat and Spizike. Jordan and his shoe has dominated the sneaker culture for almost three decades. That’s a pretty impressive stretch. Kids who have never even seen him play line up for his shoes on those early Saturday mornings (I've been to my share of releases).

What else can you say, the man practically created the endorsement. He endorsed the hot dog you ate, the white t-shirt you spilled mustard on,  and created the shoe that had you wanting to be “like Mike”. Mike has not only left his impact on the game of basketball, but he’s left an impact on American culture as a whole. From my 90’s baby eyes, that impact is pretty big.