“The common theme between both of these savants of modern beauty is inclusion…I’m just proud that these two women are steering the ship towards waters where the differences in women can be celebrated and embraced.”
Hipsters, Yuccies and the Black Urban Creative
“The black urban creative is excluded from the Yuccie culture by definition. A hipster or Yuccie that lives in an urban neighborhood lives there because of gentrification. A black urban creative lives in the hood by circumstance. Yuccies have the choice of Whole Foods, Trader Joe’s and the seasonal farmers’ markets. The black urban creative has the choices of a supermarket full of sugary and processed meats, fruits and vegetables.”
Blought #19: Is Cultural Appropriation a Real Problem?
Is denying a white person the freedom to embrace cultures outside of their own racists or justifiable? |
I do however find it counterproductive to our own cause as a race and culture to blast anything not black that would like to take part in our culture. I know cultural appropriation exists but is it always negative when a white girl wants to wear cornrows? How can hair braiding be cultural appropriation when cultures in Europe and Asia had their own braiding styles that most black hair textures can‘t achieve. The modern cornrow wasn’t worn until c. 1970. I know this question is becoming old but are you black women not appropriating white culture when you dye your hair blonde?
Would you shun an African American who dressed and behaved like this? |
So I guess you’ll say the music is being appropriated by Macklemore and Iggy Azalea. I call complete bullshit. One of Hip-Hop’s most revered pioneers are the Beastie Boys. Three white Jewish kids from Brooklyn who loved listening to the Funk music of the 70’s like Parliament Funkadelic and Bootsy Collins. They were essentially the first rap group by today’s standards. Who says a white kid can’t enjoy Hip-Hop as much as a black kid? It’s hard to call anything music wise cultural appropriation when it was whites, mostly Jewish who are responsible for putting Hip-Hop in the mainstream. It’s like slavery and abolitionists. Without white abolitionists there would have been no abolishment of slavery. In theory, without rich Jewish Investors there would be no Hip-Hop.
Not even the same hairstyle bro... |
I believe the idea of our claims of Cultural Appropriation comes from the belief that African Americans have nothing else to offer besides our music and fashion. To me that speaks poorly of us as a race and culture. We place emphasis on things that don’t reflect positively on us as a race. I will be the first to admit that I sag my pants, listen to vulgar rap music and I curse more than the congregation shouts “Amen” on Sunday.
Some argue that Appropriation is an extension of Slavery. I’d like to refute that by saying it could be an extension of Jim Crow. In my eyes we, meaning African Americans are keeping Jim Crow alive ourselves. The idea of hatred fueled racism. That same hatred has trickled down into the black psyche causing us to hate the white man in turn making our main objective to reject the white man in the same manner he has done us for centuries.
To me Cultural Appropriation is another device for us to pigeonhole our objectives and movements as a race. If we can move on from what we shun other cultures in appreciating, then we can spend more time on fixing real problems facing our community versus focusing on ones that offer no threat to our culture or race.
Sources:
http://interruptmag.com/article/appropriation-vs-appreciation
http://www.lovelyish.com/2013/04/15/the-beautiful-and-amazing-history-of-braids/
http://www.feminish.com/wp-content/uploads/2012/08/culturalappropriationread.pdf
The Strange Career of Jim Crow by C. Van Woodward
'Ingenuity Born out of Necessity: The Soul of Sole Snatchers' by Brendan Whitt (Courtesy of Volume Magazine Cleveland)
Blought #2 'Mike and Us 90's Babies'
MJ’s legacy isn’t exclusive to the court, but American culture period. One of my favorite movies ever starred Mike himself. In Space Jam, the world’s greatest basketball player was playing alongside Warner Bros. cartoon elite. Mike didn't put on an Oscar winning performance or anything, but watching that movie at five years old was better than an All Star game. The movie was so huge, it even garnered it’s own shoe, the “Space Jam 11’s”
It doesn't matter how much basketball you watch, how many times you’ve seen Space Jam, or even if you don’t care about the man, the largest impact Jordan has left may be his shoes. His shoe brand has had 28 official player models and a few other models including the Phat and Spizike. Jordan and his shoe has dominated the sneaker culture for almost three decades. That’s a pretty impressive stretch. Kids who have never even seen him play line up for his shoes on those early Saturday mornings (I've been to my share of releases).
What else can you say, the man practically created the endorsement. He endorsed the hot dog you ate, the white t-shirt you spilled mustard on, and created the shoe that had you wanting to be “like Mike”. Mike has not only left his impact on the game of basketball, but he’s left an impact on American culture as a whole. From my 90’s baby eyes, that impact is pretty big.