My Favorite Halloween Costumes of Social Media

Fall is finally in full swing following Halloween. Up next is Turkey Day and the Holiday shopping season as we all prepare to get drunk and ring in a 2016. But before we move into the back 9 of 2015, let’s take a look at my favorite costumes of social media this year.

Me and the girlfriend as Shaggy and Velma
Me and this Z-Fighter can spar whenever.
Drake and Serena Williams
Kelly Rowland and my stepson as Mickey and Minnie
I hate her... Call 
Chuckee Finster lookin' like
he's not down with Tommy's plan

A friend of mine and his lady as
Bob and Linda Belcher 
Dr. Dre's Classic The Chronic album
Cleveland artist and designer
Dakarai Ashby as rapper MF Doom
Aladin and his flying carpet

Loc Dog from Don't be a Menace
Kevin Hart and his Fiance as
Martin and Gina Payne
Biggie's legendary Ready to Die album cover
Future's hit summer album
Dirty Sprite 2
Future's infamous Gucci flip flop that
he fu***d your girl in.
The Fat Jew's Instagram
A mommy and her partner in crime

A Refreshing Sound for Cleveland Hip-Hop


Cleveland rapper Authentic Issue is set to release his new mixtape titled “Fuck All That, Just Rap!”. He passed me two of the songs off of the upcoming project and I must say I was impressed. The Intro is a sobering reality of what Cleveland is going through during this time of transition. The public housing area known as Longwood or Down the Way, the area Authentic Issue calls home has gone through some drastic change over the past few years.

The sound bytes at the end of the intro explains the general process of gentrification, something that Clevelanders are becoming quite aware of. At the end of the song there is a disagreement between a younger voice and an older voice where the younger voice believes there should be a community effort to keep the neighborhood “black” and black owned in an attempt to resist the assumed gentrification of a predominantly black neighborhood. The older voice blames the culture of drug dealing and black on black crime for devaluing the property of the black neighborhood.

The second track titled Real Shit uses a sample of the late Barry White’s Cant Get Enough of Your Love Baby, and while it doesn’t have an apparent message like the Intro did it’s still a fun song to listen to. Issue plays around on the track with simple but lyrical punch lines and even shares a moment of laughter with a playful “do-do-do” chant.

Fuck All That Just Rap looks to be a different type of rap than what is usually promoted around the city. You can follow Authentic Issue on Twitter and Instagram @Ant_Ant91. Fuck All That, Just Rap! releases Halloween on Datpiff and Hot New Hip-Hop.

Cavs Offer Relief for Browns Fans by Giovanni Castelli

The Browns are once again stinking up the joint with a 2-5 record, a 36-year old journeyman starting at the most important position in the NFL while continuing to be a perennial loser since their return in 1999. Lucky for us, the Cavs‬ are back which for Cleveland sports fans is a good thing. They are a really good team, boast the best player in the world and are once again favorites to represent the Eastern Conference in the NBA Finals.


Let's just say the end of October each year has come to signify the end of Browns season and the beginning of Cavs season due to the Browns constant futility on and off the field. Today when asked about the QB situation I heard Mike Pettine say: "If you don't laugh you cry." Really?! I say that when something utterly BLOWS!! Which in my mind means Pettine knows his QB's BLOW!!
I just heard Tony Grossi say "It's not that difficult to get a QB!" As if he was yelling at the front office. What a joke the Browns are right now. New uniforms, a stadium makeover, a couple new mascots and a dog named SWAGGER (this team has no swagger!) can't cover up the DOG POOP product that has been put on the field since 1999.

Thank God LeBron came back. With the Cavs being the favorites in the NBA, the Browns can now go about their business sucking through another losing season and missing another opportunity to not LOSE a generation of fans. And they wonder why we go to the Muni-Lot at 6am to drink. That's the only time we have fun on Sundays. It seems that every time we leave the stadium we do so mad and disappointed due to another Browns loss.

On that note, see you Sunday Browns. You mean, abusive douche.
But more importantly. GO CAVS!!!

Go Support #YoungLangston on November 1st!!!

Later this week I will be launching an Indie Go-Go campaign to raise funds to print copies of A Summer In Harlem and When the Crows Come Home along with my promotional bookmarks and laptop stickers. Here is the promotional video for the campaign set to begin on November 1st. I will be posting a link for the campaign in the near future. Thank to all of my supporters, Peace...



 

Blought # 18: Is Traditional Radio Living on Borrowed Time?

The radio. What a marvel of human ingenuity. Officially created at the turn of the last century the little box made of wood and electrical wires completely changed how we humans receive information. Radios helped us transmit news stories to over a million homes, improve military and law enforcement communication and gave us a new source of entertainment. After the television became a commodity for most American families in 1960’s the radio took a slight dip in popularity.

Instead of listening to Eisenhower or FDR give an address over the radio you could watch Nixon on television since NBC, ABC and CBS could transmit broadcasts into the American home. By the 70’s and 80’s 8-track and cassette tapes made it easier to listen to the music you wanted, when you wanted and by the 90’s CD’s were revolutionizing music consumption all together.

Today the radio to me is pretty much useless. We can get news faster before our favorite radio host can tell us about it. Either it’s trending on social media or a Breaking News banner has already caught our attention online or on television. Television, which arguably took the radio out of the American home is on it’s way out due to internet television and streaming.

I love to listen to DL Hughley’s evening show on the way home. But with radio shows like the Breakfast Club and Sway’s Universe it’s easy for us ADD Millennials to be more attracted to the latter which utilizes the internet to supplement their on air interviews with online videos of the interview. And with the booming popularity of podcasts talk radio’s days are numbered. I can see a day when I’m in my 50’s and radio tuners no longer exist.

The internet will be so accessible in the near future that we’ll be able to stream anywhere anytime with minimal data restrictions. Services like Spotify, Pandora and Tidal already gives us the freedom to listen to whatever we please. Throw in Bluetooth capabilities and auxiliary ports in most cars, I predict traditional radio will be completely obsolete by 2030.

Blought #17: The BET Hip-Hop Awards Suck!


So here’s the deal with BET. Viacom, the television  company that owns; Nickelodeon, MTV, Comedy Central and a bunch of other channels bought out BET for well over $2 billion in stocks around 2000. Reportedly the deal involved BET founder Robert L. Johnson becoming a major shareholder of Viacom. Blacks still call the shots but they answer to some white guy with quadruple their net worth to get advertising money which really pays television station bills and salaries.

This article isn’t here to get into all of that. It was just a backdrop to why I think the BET Hip-Hop awards blow. Granted, this year the awards did have to compete against the Las Vegas Democratic debate. But I mean let’s be honest here, the majority of Hip-Hop awards viewers aren’t into politics. I don’t need numbers to back that up, I live it.

This year the award’s ratings dropped quite a bit. The 2014 broadcast drew in almost three million viewers. This year during the 8-10 pm slot, the awards only drew in a combined 1.1 million viewers between BET and MTV. Just for reference the debate drew in over 15 million viewers. It could have been because of the proposed boycott related to the lack of Million Man March coverage. But if I know my people that is definitely NOT the reason. Most of the people complaining (myself included) don’t even watch BET.

So what could it be? I just think the awards show is terrible. As a definite Hip-Hop head or aficionado for my non head readers, I can definitely tell you the show sucks and here’s why. Most of the catergories only include heavy hitters. Big Sean, Drake, Nicki Minaj, Future, Kendrick Lamar, Kanye and just about every other major label artist out. The little guys or underground emcee’s get no love. Chance the Rapper did a lot for his community in Chicago but he couldn’t win the Made You Look award?

Various Hip-Hop artist boycotting the 1989 Grammys.
How was future ever going to lose when he took up three of the five slots for best  mixtape? This ain’t the Grammys, all of those tapes were not straight bangers. Best Hip Hop online site is a cool category but does World Star have to appear on there? I like watching hood fights as much as the next guy can we have a little more prestige? Which brings me to my next point. Let’s make the awards more prestigious. Have an actual red carpet and make the attendees dress up a little more. They can dress how they want any other time of the year. Let’s make it look a little more classy.

The only thing that hurts is that the Grammys don’t broadcasts best Hip-Hop album. Back in the 80’s artists like Public Enemy, The Fresh Prince and DJ Jazzy Jeff and Queen Latifah boycotted the Grammy because the genre didn’t receive recognition. In the 2000’s Jay Z led another boycott because our award wouldn’t get broadcast. Now you get you Grammy on the red carpet. Hopefully the awards can get it right before there is no major recognition for the Hip-Hop community.

Blought #16: How to Keep a Great City Great

This past Saturday I was fortunate enough to be invited to the Greater Cleveland chapter of the National Association of Black Journalist conference at Tri-C‘s auditorium. The NABJ hosted the conference, titled ‘Covering Comeback Cities. The list of speakers included  NBC WKYC-TV's Russ Mitchell, Fox-TV’s Charlie LeDuff of The Americans With Charlie LeDuff; Ohio Congresswoman Marcia Fudge; Cleveland Mayor Frank L. Jackson; Cleveland Police Chief Calvin Williams; and Chuck Stokes, Detroit's WXYZ-TV Director of Editorial/Public Affairs and son of the late Mayor Louis

It was a great atmosphere for a young writer like myself  to network and make connections. It was also an opportunity to gauge where my city was headed. Before the first panel started  Mayor Frank Jackson took the podium to share a few words. He talked about how Cleveland has spent billions of dollars to upgrade the city and how that wouldn’t be enough. There is a cycle of “boom and decline” that has to be broken.  The Mayor finished up by saying that “A great city isn’t based on the billions spent. It is what we do for the least of it. We need to make prosperity available for all.”

I trusted Mayor Jackson after he said that, even though he couldn’t have cared less about meeting me until I mentioned we both graduated from Cleveland State. The first panel discussion focused on crime and included Calvin Williams, Chief of police Cleveland; Charlie Leduff, Pulitzer winner and the host of The Americans with Charlie Leduff, and Dr. Rhonda Y. Williams of Case Western Reserve University’s Social Justice Institute. The panel was moderated by Harry Boomer of CBS 19 News. From the first panel to the fifth and final panel, excluding Session 3 which talked about SEO and Periscope, there was a common theme I heard on every panel this past Saturday.


We need to focus on the poor and invest in our children. As a city made up of over 53% of Blacks and 10% Lationo or Hispanic, we need to pull together and get a handle on this crime. We need to protect our inner city communities and children from themselves and an unjust system favoring an opposite side. The seeds of education need to be planted at a very early age. We need to graduate more students,  64.3% versus a national average of 81% is unacceptable (as is having an 81% national average but that’s a rant for another day).

Basically what I’m trying to say is that in order to make sure Cleveland stays on the up and up then we have to invest in the future of Cleveland not monetarily, but socially. We don’t want this place to become a ghost town after the RNC. We want our city to thrive and become something we can pass down to our children’s children.

Blought #15: You woke? Then go back to sleep...


African Americans are entering a pivotal time in history as is the rest of the world. Blacks are finally at the doorstep we’ve been searching for since arriving on this stolen property some 400 odd years ago. Yes racism and discrimination exists but now they have become void excuses. The only thing holding us back is ourselves. Blacks have excelled in everything imaginable form entertainment to business to technology. I preach about this often but now I’m officially addressing it. YOU FAUX BLACK ELITES NEED TO STOP IT!!

What is a faux black elite you ask? My definition is as follows, any African American who claims to be “woke” and attempts to exude a higher level of knowledge of self over their fellow African Americans. I posted a meme that mirrored my sentiments. A high school classmate of mine by the name of  Daniel had this to say:

“This is something I've noticed as well. Most notably people who claim to be "woke" seem to still be limited in their thought process. A lot have the "if it glitters its gold mentality" about the information they find and the sources they receive it from. Almost like they're so excited to be classified in this group of very intelligent people of color that they've come up with to label themselves as, that they make the same illogical and poorly reasoned decisions that made them "sleep" or whatever there alternative is in the first place.

True intelligence does not have to be thrown in your face, its to be recognized. Nor does it make any sense to educate yourself for the purpose of bragging to others.”

Couldn’t have said it better myself. They are most easily identified by wearing African diaspora garb and regurgitating insanely inaccurate memes and information regarding our history. Faux Black Elite, you’re hurting the cause. Peace.

Blought #14: Satire and The Boondocks

They say comedy is just honest observation. I’ve always had a crude sense of humor. I can remember when I was in middle school and Chappelle’s Show was one of the hottest shows on television. Dave was a master of projecting the black experience and our reality to the masses. He was my generation’s Richard Pryor.

A few years later Adult Swim premiered a new and raunchy show titled The Boondocks  from creator Aaron McGruder. The show which was based on the comic strip of the same name also created by McGruder, followed native Chicagoans Riley and Huey Freeman  who lived with their grandfather Robert Freeman as they struggled to adapt to their new suburban town of Woodcrest.

During it’s four season run over the span of ten years, The Boondocks was one of the most popular shows on television. Just like the comic had done, the show sparked outrage from both the media as well as the public.

I attribute the outrage to it’s brash and brazen use of the word “nigga”, it’s main protagonists being children and probably most of all because of it’s use of negative stereotypes regarding African-American culture. Many called the show ignorant and offensive.
My question is was it really that offensive or was The Boondocks really just holding up a picture of what Black America has become? If you are one of those critics take a closer look at the undertones. McGruder is clearly satirizing everything wrong with pop culture in urban America.

Materialism, false black political figures, drug culture and glorified gang violence in Hip-Hop. Not only has the show satirized the black culture but it has also poked fun at America as a whole. Let’s explore these ideas a little more.

If you’ve read Blought #9 you got a sense of my feelings towards the ‘faux black elitist’. These are people who claim to be enlightened or want better for the Black people while spewing inaccurate and skewed facts. This term can also be used for fake black political leaders like Al Sharpton (trust me, the majority of black Gen X and millennials hate the Reverend almost as much as GOP supporters).

Reverend Al Sharpton has been satirized by McGruder on a few occasions. The character Rollo Goodlove, voiced by Ceelo Green always seems to appear when it’s most convenient for him and his brand. In the episode “The S-Word” Riley is called a “spear chucker” by his teacher. Following the outrage Rollo Goodlove jumps in to represent the Freemans.

When the Freemans are scheduled to appear on a Fox News show, it is revealed that the Reverend Goodlove and Anne Coulter are good friends. Now I’m not suggesting Sharpton and Fox News pundits pal around, but the lack of sincerity  by Goodlove is used to show what many believe about Sharpton. He’s an insincere opportunist out for a dollar and exposure.

In the episode “Kentucky Fried Flu” the idea of media transparency is thoroughly exhibited. A KFC like restaurant unveils a  new recipe for chicken that uses more herbs and spices. When Granddad and Riley hear of the new chicken they react and hop in the car to go and taste the new recipe.

When they arrive the two are met with long lines which leads to violence when the restaurant announces they don’t have anymore chicken. The storyline then turns into an epidemic supposedly caused by eating the chicken. The news reports estimated millions would die from the food borne illness.

President Obama was even prompted to give an address from a secret bunker. Turned out the projections were false and nobody even died from the illness. Sounds a lot like the anthrax scare post 9\11 or the bird flu epidemic a few years later. How about that disease Ebola we were supposed to be so worried about (Yeah people died but the disease was contained fairly quickly with a vaccine being distributed not too long after that).

I’ll be the first to admit it, black guys really love sneakers and name brand clothing. Levi Strauss jeans, a Ralph Lauren t-shrt or polo, Nike Jacket and sneakers costing between $50 to $200 is a pretty dope outfit to me. Materialism is a part huge part of the urban Black experience.

There’s nothing wrong with having nice clothes. It’s when you step outside of your means to obtain these objects is when it becomes a problem. No one expresses this in the show more than Riley. In the episode “Home Alone” Granddad goes on a trip leaving the boys home alone. He leaves a jar of money for the boys to use for food until Riley uses the jar of money to by himself a new outfit.

Materialism is in some ways seen as one the factors that is used to hold Blacks back. We spend more than what we earn to present a facade that we are alright financially. A new car and vacation doesn’t mean your bills are paid. It just means you don’t have very good financial management skills.

The culture of materialism has even lead some to turn to crime in order to afford what they may not be able to at the time. In his single “Nobody’s Perfect”, Hip-Hop artist J. Cole was quoted saying “Death over dishonor/ they killin niggas for J’s/ that’s death over designer.” While at a release myself in 2012 a fellow shopper told me about having to put his Jordan concords in his backpack because walking through the projects brought the risk of him being robbed.

This behavior isn’t anything new. Jordan brand releases have been prime targets of robberies and assaults since the creation of the shoe in the mid 80’s. In 2011 following the release of  the highly coveted Nike Galaxy Foamposite, there were reports of customers not only being robbed but also being killed over the rare and limited sneakers (yeah my people are kind of fucked up).

Now that the Boondocks is off of the air it’s legacy is surely one that I believe will live on forever. Many can call the show ignorant or degrading but as the old cliché says, the proof is in the pudding. Black culture (even some of the things I personally like) is a bit misguided. The show pushed the envelope and shared messages we all needed to hear. Question is, did you get it?

Blought #13: Nicki-opoly

Finding a generally popular female rap artist is like finding a black republican. It isn’t impossible but it is fairly difficult. When I say generally popular I mean a female emcee who can come off as appealing to a wide range of Hip-Hop fans. When Hip-Hop evolved from mainly just Dj’s to emcees actually spitting bars, women had a say so as well. Emcees like Queen Latifah and MC Lyte were spreading socially conscience rhymes with a feminist view.

When the mid 90’s rolled in artists like Lil Kim, Missy Elliot, Da Brat, Trina, Eve and Foxy Brown all fought for their shine and the title of Queen of Hip-Hop. One by one they each began to fall off into obscurity. Da Brat and Foxy Brown quickly lost all traction and relevancy, Lil Kim and Trina stayed afloat until the mid 2000’s leaving Missy Elliot to claim the crown of Queen of Hip-Hop.

If you’ve read Blought, #9 ‘Damn, Shit Done Changed’, you heard the idea that over time Hip-Hop fans have forgotten or shunned previous generations. This past February Katie Perry performed during the Super Bowl XLIX halftime show. Perry brought out the previous Queen of Hip-Hop Missy Elliot. Teenagers who are too young to remember Elliot and her slew of hits questioned who she was and even suggested Katie Perry would help her blow up… Really?

Unlike the 90’s, today’s female Hip-Hop scene is completely ruled by Nicki Minaj. Although Missy Elliot arguably won her era there was still an even playing field. With Nicki and her peers, it isn’t even close.

Before I get into nicky (8insert sly grin) let’s look at a list of her closest competition; Iggy Azalea, Azealia Banks, No Name Gypsy, Dej Loaf, Tink and Dreezy. So let’s rank each of these beautiful women individually shall we?

Before I get into my rankings allow me to list my criteria:

  • Album sales and mixtape downloads
  • Charts (Hot 100, Billboard 200, and my own “urban music aggregate” which is the average between the US R & B\ Hip-Hop chart and US Rap chart)
  • Twitter followers (Social media is extremely important for an artist’s reach and Twitter is probably the most engageable social network) and,
  • My girlfriend’s opinion (She’s a female listener and gave honest answers)

6. No Name Gypsy:
Personally my favorite emcee on the list. Her social media following is relatively low with only 27k Twitter followers. Her only notable features are with fellow Chicagoan Chance the Rapper. Her mixtapes aren’t on Datpiff which is a negative. If you aren’t an underground fan or like Jazz infused poetry Hip-Hop then you probably won‘t enjoy her music.

5. Dreezy:
 I like her style. Dreezy brings a tough yet feminine touch to Chicago Drill music while showing off lyrical ability.  She only has 44k followers but as a general new comer that’s pretty good. Unfortunately she sounds a bit like Nicki Minaj which is a comparison surely to kill you off in the long run. If she can work on her delivery and switch up her cadence a bit maybe she can avoid those comparisons.


4. Tink: Another Chicago emcee like Dreezy and No Name, she’s a little more versatile. First off she has a co-sign from mega producer Timbaland who also played a huge part in Missy’s career. She has singing ability which is something that has helped Nicki evolve into a Hip-Hop goddess. She has released six mixtapes over the past three years. Two of which are available on Datpiff’s site (Winter’s Diary 2 had 50k downloads while 3 had only 25k downloads). She was even named to the XXL Freshman Class of ‘15. Her lead single Million off of her debut studio album Think Tink charted # 1 on the Billboard under 100 and #41 on the US R&B chart (it wasn’t a rap single but being able to sing helps overall like I said in Nicki’s case). Tink also has 179k Twitter followers.


3. Azealia Banks:
Her debut  EP 1991 was highly praised and peaked at #133 on the Billboard Hot 200 while it’s Urban aggregate was #14. Her next release was a free download titled Fantasea which also garnered high praise. It was available on Datpiff but was taken down. I’m sure it’s downloads were between 50K and 100k.Her Twitter follower count is 562k. Sadly between Fantasea and Broke with Expensive Taste Banks had several foot in mouth incidents including using the gay f-word. She also took too long between releases (28 months)  and in this ADD society that is a huge no-no. (Don’t forget the sentiments from Blought #9).

2. Dej Loaf:
A Detroit native and XXL Class  of’ 15 Freshman, Loaf released four mixtapes over the past three years. Her breakout single Try Me peaked at #45 on the Billboard Hot 100 and ranked #10 for my urban aggregate. Her most recent Mixtape Sell Sole reached 100k downloads on Datpiff. Her EP #AndSeeThatsTheThing failed to chart. Lucky for her she has a the ability to be a good feature artist which is a good way to make a career nowadays with digital sales. Her best feature was on Kid Ink’s Be Real which peaked at #43 on Billboard’s Hot 100 and a #10 urban aggregate. She has less followers than Banks at 288k, but she also toured with Nicki which turned out to be great exposure for her.


1. Iggy Azalea:
Iggy is a clear runaway for the best female emcee behind Nicki Minaj. She’s signed to TI’s Grand Hustle which is the ultimate co-sign. Her debut album The New Classic took a year to sell 500k and has been certified Gold. Her Billboard 200 peak was #3 with an urban aggregate of #1. Iggy's hit Fancy reached #1 on the Billboard Hot 100 chart making her only the fourth solo female rapper ever to top the Hot 100. Iggy was also featured on Ariana Grande's single "Problem" which peaked at #2 on the Hot 100 behind Fancy. This makes Iggy the only artist besides The Beatles to hold the #1 and #2 spots simultaneously with their first two Hot 100 hits. Iggy also passed Lil' Kim as the the longest leading Billboard Hot 100 #1 single for a female rapper. Her 2015 tour that was later cancelled due to scheduling and supporting act constraints, had more ticket sales than the Foo Fighters during the same period. Her 5.9 million Twitter followers doesn't hurt her cause.

Here is why Nicki has such a strong hold on the Queen‘s Thrown. First off  she can really rap. She’s sold almost four million albums through four major releases. She can also sing just well enough to make pop hits when needed and she’s attractive Sorry feminists. That is an unfortunate criteria. She’s a woman and sex sales.

Finally she’s her own brand. Nicki has her own Barbie, several endorsements with brands like Mac cosmetics and Pepsi and she has a 3% equity stake in Jay-Z’s acquired Music streaming service Tidal. Not to mention she has been said to be active as an artist since 2004. Most of her competition has been active since 2008 which gives her a four year jump. If any of these other artists want a sniff of her thrown, they have to first follow her lead.